Tag Archives: Buffalo Bill’s Wild West

BSU Graduate Students Participate in THATCamp Indiana 2016

Seven Ball State graduate students and I made the over 2-1/2-hour drive up to South Bend to participate in THATCamp Indiana 2016 held at the Center for Digital Scholarship in the Hesburgh Library on the campus of the University of Notre Dame on April 22, 2016.

Historic preservation graduate student Margaux Dever presented a “Dork Short” (also known as a “lightning talk,” a Dork Short is brief 2-3-minute presentation in which attendees discuss current or upcoming projects, demonstrate new tools, or call for collaborators) on the topic “Interpreting Historic Districts Digitally” and history graduate student Emily Rapoza presented on the topic “Italian Renaissance Widows Through Spatial Analysis.” I presented on “Virtual Buffalo Bill’s Wild West” along with other digital humanists either presenting Dork Shorts or leading discussion sessions on topics of interest to those attending this “unconference.” Also attending THATCamp Indiana 2016 from Ball State University were history graduate students Ashley Cornwell, Samantha Greulach, Ashley Purvis, Alexis Robertson, and Joe Sweet. A good time was had by all!

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Ball State gives Buffalo Bill’s Wild West a virtual makeover

October 12, 2015

Cowboys and Indians captivated the country when Buffalo Bill’s Wild West rolled through America in the late 1800s and early 1900s. More than a century later, Ball State digital artists have re-created the legendary showman’s outdoor exhibition.

Working with staff from the Buffalo Bill Center of the West, artists and designers from Ball State’s Institute for Digital Intermedia Arts (IDIA) have crafted a computer-generated world that authentically simulates the Wild West show dramatizing frontier life.

“The visual look and feel of the project is something we’re really proud of,” said John Fillwalk, IDIA director and senior director of the university’s Hybrid Design Technologies initiative.

Fillwalk collaborated on the project with Jeremy Johnston, curator of the center’s Buffalo Bill Museum, and Ball State historians James Connolly and Douglas Seefeldt.

Read more at: http://cms.bsu.edu/news/articles/2015/10/ball-state-gives-buffalo-bills-wild-west-a-virtual-makeover

NEH honors two Ball State projects

National Endowment for the Humanities names What Middletown Read, The Real Buffalo Bill as ‘top grant projects’

September 30, 2015

The National Endowment for the Humanities (NEH) has singled out two projects with Ball State University ties as among the most significant projects the agency has funded. To celebrate the 50th anniversary of its founding, the agency has selected what it describes as “the top grant projects from NEH’s history,” including What Middletown Read and The Real Buffalo Bill…

The Papers of William F. Cody, included in “The Real Buffalo Bill,” a series of NEH-supported projects that explore the life, legacy and impact of William “Buffalo Bill” Cody also made NEH’s list.  In his role as senior digital editor of the Papers of William F. Cody, Ball State’s Douglas Seefeldt, a history professor, has worked closely with the Buffalo Bill Center of the West on several projects, including The William F. Cody Archive and the Cody Studies digital research and scholarship platform. Ball State is one of the participating institutions.

Read more at: http://cms.bsu.edu/news/articles/2015/9/neh-honors-two-ball-state-projects

Link

The C-SPAN 3 broadcast of our panel discussion is now online :

The Enduring Legacy of Buffalo Bill’s Wild West

A roundtable discussion featuring Jeremy Johnston, Buffalo Bill Center of the West; Douglas Seefeldt, Ball State University; Frank Christianson, Brigham Young University; Michelle Delaney, Smithsonian Institution; and Riva Freifeld, Documentary Filmmaker. Fifty-Fourth Annual Conference of the Western History Association, Newport Beach, CA, October 17, 2014.